艺术简历(简要版)
一、基本概况:
庞德强，男，汉族、大学，中共党员，退休干部、政府专业拔尖人才。祖籍四川阆中市。
二、主要艺术协会职务、职称、权威网络数据库。
<一>、职务:中国楹联协会会员、中国书协会员、中国书画联谊会会员、中国东方艺术研究会艺术研究员、中国孔子美术馆副馆长、人民大会堂首席艺术顾问、中央新影“中学生”频道《美育视界》栏目艺术顾问，新加坡妙华艺术协会海外(中方会员)代表，法国巴黎美协会员(中方艺术家)……。
<二>、权威网络数据库入录资格:
1、劳动和人事部人才资源数据库入录专家。
2、中国文联中华文艺网资源数据库入库书法家(2025年3月)。
3、文旅部资源数据库入库书法家(2025年8月。
<三>、职称:中国立体书法创始人、国家高级书法师、国家一级书法师。
三、主要荣誉、获奖:
<一>、荣誉
1、吉尼斯世界纪录
2、世界和平使者
3、世界文化名人
4、共和国德艺双馨艺术家
<二>、获奖（国际国内金银铜以及其它奖项近百项）
1、世界非遗一等奖
2、纪念邓小平诞辰百周年全国书法展一等奖
3、纪念辛亥革命百周年海峡两岸书画名家交流展特别荣誉奖。
四、主要书法系列作品代表作
<一>、独创立体书法:《龙》《梦》《中国梦》《缘》《山舞银蛇》《虎》《江山多娇》……
<二>、独创碑拓书去:小楷《伟人颂》小楷《云湖赋》、《毛泽东赋》《滕王阁序》，隶书《岳阳楼记》《天道酬勤》…………
<三>、独创变隶书，自创词赋作品自书《念奴娇.长江大桥》，四尺单横《融通四海》……
<四>、榜书:八尺《龙》、一丈二尺常规书法《龙》、40米长卷行草书《毛泽东词.沁园春.雪》……
<五>、悬空书法:行草《海纳百川》《龙腾虎跃》…………
<六>、刻石书法:立体书法行草书《龙》刻于长城西拔子段书画碑林。行草书《砺剑》《中国梦》、楷书《求真》《务实》；磁刻立体书法《中國梦》，独创碑拓书法自书自创排律小楷《伟人颂》载入吉尼斯世界纪录》……
<七>、常规书法；行草《海纳百川》《龙腾虎跃》《风华正茂》行草书毛泽东词《沁园春.雪》……
五、出版权威典籍:
<一>、合集百余部《世界文化名人录》《中国历代书法名家大辞典》《中国书法通史.近现代部份》《世界非物质文化遗产目录》《世界艺术大系_中国艺术》《中国收藏博览》《经典·传承》《世界非遗传承大典》…………
<二>、个人专集(10余册):
《世界艺术领军人物》《庞德强个人诗词书法作品集》《中华名家》《国际艺术家》……
<三>、政治、经济理论成果
1、《中国市场经济文论大典
2、中央党校《理论前沿》
3、《新疆党讯》
………………
<四>、电影、网络、报纸刊物、杂志(国际国内)
1、电影梦工场(专题记录片《水润墨雅立本创新》
2、网络(国际国内数千余次)人民日报网、央视网、中国网、新华网、中国博物馆网、中国美术家网、中国收藏网…
3、国际报纸:美国侨报、芝加歌时报、日本、马来西亚华文报……
4、国内报纸:人民代表报、中国文化报、解放军报、中国商报、澳门日报、人民军队报、中国书画报、中国投资时报、新疆日报……
5、刊物:世界文艺、文化月刊、青年文摘、中国品牌防伪……
6、杂志:英国佳士德、军转民、精典杂志，全国中小学生教材:书法.美术……
六、国际国内交流:
1、国际:美国、英国、法国、加拿大、澳大利亚、马来西亚、日本、韩国、泰国、新加坡……
2、国内:港、澳、台，全国20余省……
七、作品价值评估
2020年5月，书作被国家高级美术师职称评审委员会等评定为“国家高级书法师”，作品价值评估为：人民币每平方尺60000元。2022年3月，由国家文旅部、中国书画艺术品鉴定评估中心评估：8—15万元平方尺；可以接受中国书画交易中心2025年7月备案，当前市场直销人民币50000元/平方尺，随海内外市场直销实况调升润格价值；国际资质brics认证：人民币95000元—150000元平方尺，美元、欧元15000—30000元平方英尺，2022年之前未录，也不包括立体书法（立体书法系独创，国际国内史无前例。供需双方协议）。
八、相关资料：
（一）艺术追求：师古不泥，参悟大自然，捕捉自然灵性，创出自己的风格。
（二）、人生信念:
“人人都拥有一个太阳、成功之门为强者所开”入编《全国优秀格言集》。
（三）、百度查询：书法名家庞德强立体书法创始人庞德强庞德强影视专题片《大家风范》《庞德强老师2020年“泼墨中华情专访”》《中华英才网独家专访》《中国网》《中国访谈》《名家对话》《中学生·美育视界-书法名家庞德强》，
庞德强·搜狗百科、书画家百科、抖音百科、百度百科、秒懂百科、国际名人百科。
Artistic Resume (Summary Version) 1. Basic Profile:
Pang Deqiang, male, Han ethnicity, holds a university degree, is a member of the Communist Party of China, a retired cadre, and a government-recognized top professional talent. His ancestral home is Langzhong City, Sichuan Province.
2. Main positions, titles, and authoritative online databases of art associations.
Positions: Member of China Couplet Association, Member of China Calligraphy Association, Member of China Calligraphy and Painting Friendship Association, Art Researcher of China Oriental Art Research Association, Deputy Director of China Confucius Art Museum, Chief Art Consultant of the Great Hall of the People, Art Consultant of the "Aesthetic Education Vision" program on the "Middle School Students" channel of China Central Newsreel and Documentary Film Corporation, Overseas (Chinese Member) Representative of Singapore Miaohua Art Association, Member of Paris Fine Arts Association (Chinese Artist)...
Eligibility for inclusion in authoritative online databases:
1. Expert for the talent database of the Ministry of Labor and Human Resources.
2. Calligraphers included in the China Federation of Literary and Art Circles’ Zhonghua Literature and Art Network Resource Database (March 2025).
3. Calligraphers included in the Ministry of Culture and Tourism’s resource database (August 2025).
3. Professional title: Founder of China three-dimensional calligraphy, National senior calligrapher, National first-class calligrapher.
III. Major Honors and Awards:
Honors: 1. Guinness World Records 2. World Peace Ambassador 3. World Cultural Celebrity 4. Republic Artist of Moral and Artistic ExcellenceAwards: (Nearly 100 international and domestic awards including gold, silver, bronze, and others) 1. First Prize in the World Intangible Cultural Heritage Competition 2. First Prize in the National Calligraphy Exhibition Commemorating Deng Xiaoping’s Centenary 3. Special Honor Award in the Cross-Strait Calligraphy and Painting Masters Exchange Exhibition Commemorating the 100th Anniversary of the Xinhai Revolution.
4. Representative works of the main calligraphy series:Original three-dimensional calligraphy: "Dragon", "Dream", "Dream", "Fate", "Silver Snake Dancing in the Mountains", "Tiger", "The Land is So Beautiful"...Original stele rubbing calligraphy: Small regular script "Ode to Great Men", Small regular script "Ode to Cloud Lake", "Ode to Mao Zedong", "Preface to Tengwang Pavilion", Clerical script "Record of Yueyang Tower", "Heaven Rewards Diligence"...Original variant clerical script, self-created ci poetry works: Self-written "Nian Nu Jiao. Yangtze River Bridge", four-foot single horizontal "Connecting the Four Seas"...Large-character calligraphy: Eight-foot "Dragon", twelve-foot conventional calligraphy "Dragon", 40-meter-long cursive script "Mao Zedong’s Ci. Spring in the Garden. Snow"...Hanging calligraphy: Cursive script "The Sea Embraces All Rivers", "Dragon Soaring, Tiger Leaping"...Stone carving calligraphy: Three-dimensional cursive script "Dragon" carved on the West Bazi section of the Great Wall’s calligraphy and painting stele forest. Cursive script "Sharpening the Sword", "Dream", regular script "Seeking Truth", "Pragmatism"; Magnetic engraving three-dimensional calligraphy "Chinese Dream", original stele rubbing calligraphy self-written self-created regulated verse small regular script "Ode to Great Men" recorded in the Guinness World Records...Conventional calligraphy: Cursive script "The Sea Embraces All Rivers", "Dragon Soaring, Tiger Leaping", "In the Prime of Life" cursive script Mao Zedong’s ci "Spring in the Garden. Snow"... 5. Published authoritative classics:
A collection of over a hundred volumes including "World Cultural Celebrity Directory", "China Historical Calligraphy Masters Dictionary", "China Calligraphy General History: Modern and Contemporary Part", "World Intangible Cultural Heritage Catalog", "World Art Series: China Art", "China Collection and Exhibition", "Classic Inheritance", "World Intangible Cultural Heritage Inheritance Canon"......Personal monographs (over 10 volumes):
"World Art Leaders", "Pang Deqiang’s Personal Poetry and Calligraphy Works Collection", "Chinese Masters", "International Artists"...Political and Economic Theoretical Achievements 1. "China Market Economy Literary Theory Encyclopedia" 2. "Theoretical Frontier" by the Central Party School 3. "Xinjiang Party News".........Films, Networks, Newspapers, Journals, Magazines (International and Domestic) 1. Dream Factory of Film (documentary series "Water-Soaked Ink Elegance: Innovation at Liben") 2. Online platforms (thousands of visits internationally and domestically): People’s Daily Online, CCTV.com, China.com, Xinhua.com, China Museum Network, China Artists Network, China Collectors Network... 3. International newspapers: American Chinese News, Chicago Times, Japanese, Malaysian Chinese newspapers... 4. Domestic newspapers: People’s Representative News, China Culture News, PLA Daily, China Business News, Macau Daily, People’s Army News, China Calligraphy and Painting News, China Investment Times, Xinjiang Daily... 5. Publications: World Literature and Art, Cultural Monthly, Youth Digest, China Brand Anti-counterfeiting... 6. Magazines: British Cadastre, Military-to-Civilian, Classic Magazine, National Primary and Secondary School Textbooks: Calligraphy, Fine Arts... VI. International and Domestic Exchanges:
1. International: United States, United Kingdom, France, Canada, Australia, Malaysia, Japan, South Korea, Thailand, Singapore... 2. Domestic: Hong Kong, Macau, Taiwan, over 20 provinces nationwide... VII. Work Value Appraisal In May 2020, the calligraphy was certified as "National Senior Calligrapher" by the National Senior Artisan Title Evaluation Committee, with an appraised value of RMB 60,000 per square foot. In March 2022, the National Cultural Tourism Administration and China Calligraphy and Painting Art Appraisal Center assessed the value at RMB 80,000-150,000 per square foot. The work is eligible for registration with China Calligraphy and Painting Trading Center in July 2025. Current direct market price is RMB 50,000 per square foot, subject to adjustment based on global market performance. International BRICS certification: RMB 95,000-150,000 per square foot (equivalent to USD/EUR 15,000-30,000 per square foot). No prior records exist before 2022, and three-dimensional calligraphy (a unique innovation with no precedent internationally) is excluded. Pricing subject to mutual agreement between buyers and sellers.
8. Relevant materials: (1) Artistic pursuit: learn from the ancients without being bound by them, comprehend nature, capture its spirit, and create one’s own style.
(II) Life Beliefs:
"Everyone has a sun, the door of success is opened by the strong" is included in the "National Excellent Proverbs Collection".
(3) Baidu search: Pang Deqiang, the founder of three-dimensional calligraphy, is featured in the documentary "The Grand Style of Masters", "Teacher Pang Deqiang’s 2020’ Splashing Ink Chinese Sentiment’ Exclusive Interview", "Exclusive Interview by China Talent Network", "China" website, "China" interview, "Dialogue with Masters", "Middle School Students: Aesthetic Education Vision-Calligraphy Master Pang Deqiang". Pang Deqiang is also listed on Sogou Encyclopedia, Calligraphers and Painters Encyclopedia, TikTok Encyclopedia, Baidu Encyclopedia, Miaodong Encyclopedia, and International Celebrity Encyclopedia.
龙腾苍穹辉耀世界
——关于首创八尺巨幅立体书法《龙》的补充解析
中华国粹书法，是中华民族文明进步的源泉。始终伴随着中华民族的文明进步而发展，国粹书法为中华民族文明进步、繁荣富强，发挥了至关重要的精神支撑作用。之所以被誉为中华国粹之首。
历史总是会不断向前发展的。国粹书法更不例外。80年代初期，中国书协成立不久，文艺初现复兴景象。学院派、现代派争论不休。而我当时，青春年少，初生牛犊。我体会到了学院派的重要性、也看到了现代派的必要性。我选择了强强融合。既不站队学院派，也不跟风现代派。而是想自成一派（立体派）。当时想法很单纯：即使成功、也不必惊喜，若是失败，自己原本一介草民。无需患得患失。何况正值青春年华。为了少年的梦，也因为自己还有点小才华（国学、文学、书法小基础）得以施展。历史上的英雄豪杰，无一不是拼杀出道。所以，无论成功与否，总应该拼一拼。
一旦有了这个意念，便围绕“立体书法”这个概念而苦思冥想、而痴迷····
因此、立体书法便起源于20世纪80年代初期（参见本规划第二大部分的（五）项中的2，自撰书学论文《承古创新追源流韵》）。作为中华国粹，中国书法必须创新，而创新，必须尊崇规律。便确立了自己的书学理念：“植根传统、师法自然，参悟自然灵性，创出自己的风格”。为了立体书法的成功，必须坚定不移不动摇，于是，雅号也诞生了（一念斋主人，也是为了一个约定）。
立体书法、原本难度就高，过程中涉及到学识修养、研创经费、家庭社会、同行诽议、否定打压、日常工作生活、政策环境·····信念意志等等等等。面对现实，其难度难以想象，尤其是经济问题·····既然选择了，那就必须迎难而上。何况，本人从充分认识到立体书法的重要意义。尤其是将立体书法与中华名族魂之“龙”文化结合起来。以立体书法“龙”为载体，以龙文化呼唤中华民族魂、以龙的精神凝聚中华力量，坚定践行。将龙精神对于中华民族的生存与繁荣复兴的历史性、重要性、必要性联系起来。推进中华民族形成共识、广泛传播龙文化、弘扬龙文化、发展龙文化。这不仅是我个人的信念追求。更是中华全民族走向繁荣富强所需要的的精神支撑、共识和必然要求。
立体书法的核心要义，不单纯是一种艺术。不仅仅是艺术的创新。而是通过变革创新的成功，深刻揭示了中华文化宝藏的历史意义、现实意义、未来意义和国际意义。历史意义体现在承古创新，使历史文化脉络传承有序，并由历史文化迈进新时代。现实意义体现在中华国粹发展的欣欣向荣。标志着中华国粹发展的先进性、科学性、生命力和高屋建瓴的学术性、创新性的标杆性意义。未来意义体现在作为中华国粹的新突破、新亮点，引领当代，影响未来，传承有序。使中华国粹发展的历史长河中，具有灯塔航向的作用与新的审美价值意义。
国际意义体现在立体书法的诞生和立体书法代表作《龙》的问世，强力地回击了西方污华、蔑华、仇华、反华势力对我中华文化的毫无根据的否定与打压。并深刻的揭示了中华文化国粹宝藏取之不尽用之不竭。更加彰显了中华国粹的魅力无限。
至于立体书法的经济价值。具有五个方面因素：
其一、艺术性。立体书法具有极高的艺术审美价值（参见作品）。
其二、独创性。唯一性（史无前例和独创的技术手法）
其三、思想性（本人所独具的家国情怀与国家责任担当和对作品创作过程中所赋予的情结、情绪、情感。龙是中华民族的象征，是中华民族的魂，是中华民族的图腾。不仅蕴藏着我个人的家国情怀与国家责任担当，并通过龙文化的传播，不断巩固和加强中华民族的共识、共力与共同意志力）。
其四、不可复制性（他人无法模仿造假）
其五、权威性。独创成功的立体书法，取得了国家版权局认定的著作权人资格、并具有对立体书法定义的资证。
由以上五个方面因素决定了立体书法的经济价值。尤其是作为立体书法系列的代表作精品，首创八尺整宣巨幅《龙》，堪称旷世极品。
综上所述，艺术无国界，天地共日月。发源于中华大地的中华国粹书法，在福泽中华民族的同时，也惠顾了世界人类。在继承传统前提下的创新，才更具生命力。而确保生命力，必须具备三个关键性因素：其一追根溯源，其二艺术审美。其三创新成功的唯一性。为原本无限魅力的中华国粹更增添了灿烂光辉而惊艳世界。
中国立体书法创始人庞德强撰于2024年11月20日凌晨3:43分
注：八尺整宣立体书法代表作《龙》，润格系本人与中国胡润富豪榜市场部郭丽丽主任商榷后暂定为人民币2160万元。立体书法因是独创，没有任何作品润格可以参照。则由供需双方协商解决。
The Dragon Soars Through the Celestial Vastness, Radiating Across the World-Supplementary Analysis of the Pioneering Eight-Foot Giant Three-Dimensional Calligraphy "Dragon". As the quintessence of Chinese civilization, calligraphy has been the fountainhead of the nation’s cultural advancement. Evolving alongside the Chinese civilization’s progress, this national treasure has served as a vital spiritual pillar for the nation’s prosperity and strength. It is precisely for this enduring legacy that it is revered as the foremost treasure of Chinese culture.
History always moves forward. The same is true for the national treasure of calligraphy. In the early 1980s, shortly after the establishment of the China Calligraphy Association, the arts began to show signs of revival. The academic and modern schools were in constant debate. At that time, I was young and inexperienced, like a newborn calf. I realized the importance of the academic school and saw the necessity of the modern school. I chose to merge the two, neither aligning with the academic school nor following the modern school blindly. Instead, I wanted to create my own school (Cubism). My thoughts were simple: even if I succeeded, there was no need to be surprised; if I failed, I was just a commoner, so there was no need to worry about gains or losses. Besides, I was in the prime of my youth. For the dream of youth, and because I still had some talent (basic knowledge of Chinese studies, literature, and calligraphy) to showcase, I decided to try. All the heroes and greats in history started by fighting their way to prominence. So, whether successful or not, one should always strive.
Once this idea emerged, it led to deep contemplation and obsession with the concept of "three-dimensional calligraphy." Thus, three-dimensional calligraphy originated in the early 1980s (see item 2 in section (5) of Part II of this plan, the self-written calligraphy paper "Inheriting the Ancients, Innovating, and Tracing the Flow of Rhythm"). As a national treasure of China, Chinese calligraphy must innovate, and innovation must respect the laws. This established its calligraphic philosophy: "Rooted in tradition, learning from nature, comprehending the spirit of nature, and creating one’s own style." To ensure the success of three-dimensional calligraphy, unwavering determination was essential, and thus the elegant name was born (the owner of Yinnianzhai, also for a promise).
Three-dimensional calligraphy presents inherent challenges, involving multifaceted factors: scholarly cultivation, research funding, family and societal dynamics, peer criticism, suppression, daily work-life balance, policy environments, and willpower. The practical difficulties are unimaginable, particularly economic hurdles. Having made this choice, I must confront these challenges head-on. Moreover, I fully recognize the significance of three-dimensional calligraphy, especially its integration with the "dragon" culture – the spiritual essence of the Chinese nation. By using three-dimensional dragon calligraphy as a medium, we can invoke the national spirit through dragon symbolism and unite Chinese strength through its ethos, steadfastly implementing this vision. This connects the historical, vital, and essential role of dragon spirit in the nation’s survival and rejuvenation. We must foster consensus, widely disseminate, promote, and develop dragon culture. This pursuit is not merely my personal conviction but also the spiritual foundation, collective understanding, and imperative for the entire Chinese nation to achieve prosperity and strength.
The essence of three-dimensional calligraphy transcends mere artistry or artistic innovation. Through transformative breakthroughs, it profoundly illuminates the historical, contemporary, future, and global significance of China’s cultural heritage. Its historical value lies in preserving traditions while innovating, ensuring the continuity of cultural lineage and propelling it into the new era. The contemporary relevance is reflected in the flourishing development of China’s cultural treasures, demonstrating their scientific advancement, vitality, and exemplary academic innovation. The future significance emerges as groundbreaking achievements in Chinese cultural heritage, guiding modernity, shaping the future, and maintaining orderly transmission. Within the historical river of cultural evolution, it serves as a guiding beacon with renewed aesthetic value.
The global significance is embodied in the birth of three-dimensional calligraphy and the debut of its masterpiece "Dragon", which powerfully counters the baseless denials and suppression by Western forces that defame, scorn, and oppose Chinese culture. It profoundly reveals the inexhaustible treasures of Chinese cultural heritage, further highlighting the boundless charm of China’s national essence.
As for the economic value of three-dimensional calligraphy, there are five factors: First, the artistic value.
Second, originality. Third, ideological depth (the author’s unique patriotic sentiment and sense of national responsibility, along with the emotional and sentimental investment in the creative process). The dragon, as a symbol, soul, and totem of the Chinese nation, embodies not only the author’s personal patriotism and sense of duty but also serves to strengthen the Chinese nation’s shared values, collective strength, and unified will through the dissemination of dragon culture.
Fourth, it is not replicable (others cannot imitate or counterfeit it). Fifth, it is authoritative. The original and successful three-dimensional calligraphy has obtained the copyright holder qualification recognized by the National Copyright Administration and possesses the certification of defining three-dimensional calligraphy.
The economic value of three-dimensional calligraphy is determined by the above five factors. Especially, the first eight-foot-long whole Xuan paper masterpiece, Dragon, is a masterpiece of the three-dimensional calligraphy series.
In conclusion, art transcends national boundaries, with the universe sharing the same sun and moon. Chinese calligraphy, a cultural treasure born in China, has not only enriched the Chinese nation but also benefited humanity worldwide. Innovation rooted in tradition is what sustains its vitality. To ensure this vitality, three key elements are essential: first, tracing its origins; second, artistic aesthetics; and third, the uniqueness of successful innovation. These elements have further enhanced the boundless charm of this Chinese cultural treasure, adding brilliant luster that captivates the world.
Pang Deqiang, founder of China 3D calligraphy, wrote at 3:43 AM on November 20,2024. Note: The representative work of eight-foot-long Xuan paper 3D calligraphy, "Dragon," has a fee of RMB 21.6 million, tentatively agreed upon after consultation with Guo Lili, director of the marketing department of China’s Hurun Rich List. As 3D calligraphy is an original creation, there are no existing fee standards to refer to. Therefore, the matter will be resolved through negotiation between the buyer and seller.
